Club moral - instruments of attraction (i. cerebrale pathologie) - Griots Storytelling Institute


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Author Michael Veal considers dub music , a Jamaican music stemming from roots reggae and sound system culture that flourished between 1968 and 1985, to be one of the important precursors to contemporary electronic dance music. [13] Dub productions were remixed reggae tracks that emphasized rhythm, fragmented lyrical and melodic elements, and reverberant textures. [14] The music was pioneered by studio engineers, such as Sylvan Morris, King Tubby , Errol Thompson , Lee "Scratch" Perry , and Scientist . [13] Their experiments included forms of tape-based composition that Veal considers comparable to musique concrète , with its emphasis on repetitive rhythmic structures being comparable to minimalism . Dub producers made improvised deconstructions of existing multi-track reggae mixes by using the studio mixing board as a performance instrument. They also foregrounded spatial effects such as reverb and delay by using auxiliary send routings creatively. [13]


Club Moral - Instruments Of Attraction (I. Cerebrale Pathologie)Club Moral - Instruments Of Attraction (I. Cerebrale Pathologie)Club Moral - Instruments Of Attraction (I. Cerebrale Pathologie)Club Moral - Instruments Of Attraction (I. Cerebrale Pathologie)

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